King of the Hill

In King of the Hill, Adam Young presents a whimsical and vibrant depiction of Newfoundland's iconic fishing stages set against a dramatic coastal landscape. The colourful stages—painted in bright reds, yellows, blues, and whites—perch precariously atop jagged, rocky cliffs, their lively colours standing out against the bold natural surroundings. The interplay of colours brings a sense of energy and joy to the scene, evoking the spirit of the resilient coastal communities that thrive in these rugged environments.

The dramatic sky, with its sweeping bands of orange and gold clouds, creates a striking contrast against the rich blue backdrop, adding to the painting’s sense of movement and dynamism. The clouds seem to swirl and stretch across the sky, framing the fishing stages and emphasizing their towering presence on the rocky outcrops. The stages, teetering on stilts and clinging to the cliffs, seem to challenge the landscape itself, embodying the strength and endurance of the people who live and work in this region.

King of the Hill captures the essence of Newfoundland’s coastal life, where the natural beauty of the land meets the vibrant human touch of the fishing stages. Through his bold use of colour and form, Young invites viewers into a world of playful energy and enduring spirit, where the fishing stages reign supreme over the land and sea.